Grüezi is a Regular Lines typeface that channels the crisp elegance of Swiss design with a touch of human warmth. Born from the legacy of mid-century modernism and inspired by the rhythmic geometry of the Swiss grid, Grüezi is not just a typeface—it’s a greeting, a gesture, a perfectly balanced hello.
Gruezi Grotesk is a modern typeface that pays homage to the timeless aesthetics of Swiss modernist typography. Rooted in the legacy of iconic typefaces like Helvetica and Univers, it embodies the clarity, functionality, and precision that define the Swiss design ethos. Characterized by clean, geometric letterforms, Gruezi Grotesk strikes a balance between rigidity and warmth, making it highly versatile for both print and digital applications. Its slightly unconventional details, such as subtle variations in stroke weight and distinctive character proportions, set it apart from its predecessors while maintaining a strong connection to the Swiss typographic tradition. Designed with contemporary needs in mind, Gruezi Grotesk offers multiple weights and styles, ensuring flexibility for branding, editorial design, signage, and web typography. Its legibility and neutral tone make it a perfect choice for designers seeking a typeface that blends modern sensibilities with the enduring appeal of mid-century Swiss typography. Whether used in bold headlines or refined body text, Gruezi Grotesk captures the essence of Swiss modernism with a fresh, contemporary twist.
Optimized for print and digital
Full Latin character set
Designed with grid-based harmony
Minimalist yet expressive letterforms
Ideal for branding, editorial, signage, and UI
Switzerland’s national flag was adopted on December 12, 1889, which is one of the world’s oldest flags. The Flag of Switzerland is a red field, a white cross whose arms are one-sixth longer than their width. The relationship between the span of the cross and the width of the flag has not been established, but in practice the ratio is about 2:3 or 7:10. The Swiss cross on a red field ultimately derives from a similar banner of the Holy Roman Empire, and thus has strong Christian connotations. The Swiss flag traditionally stands for freedom, honour and fidelity. The motto "Honor et Fidelitas" was inscribed on the cross of several Swiss mercenary flags of the 18th century. In modern times, through association with consistent Swiss policy, the flag has also come to mean neutrality, democracy, peace and refuge.
Swiss ski resorts like Zermatt, St. Moritz, Verbier, and Davos quickly became internationally recognized. St. Moritz even hosted the Winter Olympics twice, in 1928 and 1948, solidifying Switzerland’s reputation as a skiing powerhouse.
Das oder die Raclette (walliserdeutsch ds (sächlich) Ragglett, französisch la (weiblich) raclette) ist sowohl der Name eines beliebten Kuhmilchkäses als auch der Name eines bekannten warmen Gerichts. Dieses entsteht wie das Käsefondue durch das langsame Schmelzen von Käse.
Between 1948 and 1985, the connection between Czechoslovakia and Switzerland in product design was mostly indirect and based on shared modernist ideals, with Swiss design influencing Czechoslovak graphic and product design through journals, exhibitions (like the Brno Biennial), and a common emphasis on clarity and functionality. Political divides limited direct collaboration, but admiration and aesthetic parallels still formed a quiet dialogue between the two.
Stöckli and Kessler
Te∫la
NΩ°440
Hi–Fi Audio
ZERMATT, VERBIER
ST. MORITZ
Czechoslovakia™
Switzerland© after
the spring 68.
Switzerland is a paradise for winter lovers, where the thrill of skiing and the comfort of melted cheese create the perfect Alpine experience. With its world-class ski resorts like Zermatt, Verbier, and St. Moritz, the Swiss Alps offer pristine slopes for everyone, from beginners to expert skiers carving down challenging black runs. The crisp mountain air, breathtaking scenery, and well-groomed pistes make every descent unforgettable.
After an exhilarating day on the slopes, nothing beats indulging in a traditional Swiss cheese dish. Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire.
In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
DOBŠINSKÝ P.
ŠKULTÉTY
1858. [41] p.
The Golden Collection of Slovak Fairy Tales II.
Remastered version
(1981–1988)
I. Foreword & II. Preface,
III. Introduction
& IV. Prologue, V. Epilogue,
VI. The End
Conclusion
The history of fairy tales in Slovakia is rich and deeply intertwined with the country's folklore and cultural traditions. Slovak fairy tales, like those of many other cultures, have their roots in oral storytelling, passed down through generations before being documented in written form. Slovak fairy tales were primarily part of an oral tradition shared in villages and family gatherings. These stories often featured elements of mythology, magic, and moral lessons, reflecting the beliefs and values of Slovak society.
The 19th century, a period of national awakening in Slovakia, saw the beginning of the systematic collection and documentation of fairy tales. This was part of a broader effort to preserve Slovak cultural heritage. Common characters included supernatural beings such as witches (bosorky), fairies (víly), and various mythical creatures. Themes often revolved around good versus evil, cleverness versus brute strength, and the triumph of the underdog.
In the 20th century, Slovak fairy tales continued to be a vibrant part of literature. The history of fairy tales in Slovakia is a testament to the rich cultural heritage of the Slovak people. From their origins in oral tradition to their documentation and adaptation in modern times, these tales continue to play a vital role in Slovak cultural identity. The work of collectors like Pavol Dobšinský and Ján Francisci has ensured that these stories remain an integral part of Slovakia's literary and cultural landscape.
How Modern Writers
Are Re-inventing
The Witch?
Info
What does it mean to create a perfect Swiss grotesque from the perspective of a designer from a post-Soviet country? Is it a utopia? Can it work? Will the result differ from other modernist attempts to create a single, true neutral font? Is it a dream? The Gruezi font is our response and reaction. It’s the typeface of choice for any designer who appreciates the Swiss Style and its legacy. This movement emerged from the schools in Basel and Zürich in the 1950s and aimed to present information objectively. Also known as the International Typographic Style, it is characterized by sans serif type typically set flush-left, in grid-based layouts derived from the content. The RL Gruezi typeface is the contemporary equivalent of the type used by the pioneers in Switzerland and beyond. Whether you want to uphold their modernist approach, reference this aesthetic in more playful or even ironic ways, or simply seek a reliable sans serif, RL Gruezi will not disappoint. With its static construction, it demonstrates that combining the qualities of classic sans-serif craftsmanship with a new contemporaneity can be a sustainable endeavor. Never striving to be trendy, elegant, or fashionable, RL Gruezi aspires to embody characteristics such as technical precision, down-to-earth robustness, reliability, and neutrality—qualities generally associated with Switzerland.
Credits
Mastering: Matej Vojtuš
Classification: Sans Serif
Release: 2024
Supported Languages
Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni
Downloads
Trial Font
PDF Specimen
Other typefaces
Gruezi Grotesk is a modern typeface that pays homage to the timeless aesthetics of Swiss modernist typography. Rooted in the legacy of iconic typefaces like Helvetica and Univers, it embodies the clarity, functionality, and precision that define the Swiss design ethos. Characterized by clean, geometric letterforms, Gruezi Grotesk strikes a balance between rigidity and warmth, making it highly versatile for both print and digital applications. Its slightly unconventional details, such as subtle variations in stroke weight and distinctive character proportions, set it apart from its predecessors while maintaining a strong connection to the Swiss typographic tradition. Designed with contemporary needs in mind, Gruezi Grotesk offers multiple weights and styles, ensuring flexibility for branding, editorial design, signage, and web typography. Its legibility and neutral tone make it a perfect choice for designers seeking a typeface that blends modern sensibilities with the enduring appeal of mid-century Swiss typography. Whether used in bold headlines or refined body text, Gruezi Grotesk captures the essence of Swiss modernism with a fresh, contemporary twist.
Suisse
7℮Œ°
Switzerland’s national flag was adopted on December 12, 1889, which is one of the world’s oldest flags. The Flag of Switzerland is a red field, a white cross whose arms are one-sixth longer than their width. The relationship between the span of the cross and the width of the flag has not been established, but in practice the ratio is about 2:3 or 7:10. The Swiss cross on a red field ultimately derives from a similar banner of the Holy Roman Empire, and thus has strong Christian connotations.
Switzerland’s national flag was adopted on December 12, 1889, which is one of the world’s oldest flags. The Flag of Switzerland is a red field, a white cross whose arms are one-sixth longer than their width. The relationship between the span of the cross and the width of the flag has not been established, but in practice the ratio is about 2:3 or 7:10. The Swiss cross on a red field ultimately derives from a similar banner of the Holy Roman Empire, and thus has strong Christian connotations.
The [GDP] revision showed
a ↓lower–performance of the Slovak ∑conomy in first ½ of 2023, growth↗ for the ¼ was revised to 0.5%
The Swiss franc is likely to stay under pressure after a surprise interest-rate cut by the country’s central bank showed policymakers are acting more forcefully to prevent any appreciation in the currency.
Te∫la
NΩ°440
Hi–Fi Audio
Circa
State, political organization of society, or the body politic, or, more narrowly, the institutions of government. The state is a form of human association distinguished from other social groups by its purpose, the establishment of order and security...
I. Foreword
II. Preface
III. Introduction
IV. Prologue
V. The End
DOBŠINSKÝ P.
ŠKULTÉTY
1858.[41] p.
The Golden Collection of Slovak Fairy Tales II.
Remastered version
(1981–1988)
The history of fairy tales in Slovakia is rich and deeply intertwined with the country's folklore and cultural traditions. Slovak fairy tales, like those of many other cultures, have their roots in oral storytelling, passed down through generations before being documented in written form.
The 19th century, a period of national awakening in Slovakia, saw the beginning of the systematic collection and documentation of fairy tales. This was part of a broader effort to preserve Slovak cultural heritage.
How Modern Writers Are Re-inventing The Witch?
Info
What does it mean to create a perfect Swiss grotesque from the perspective of a designer from a post-Soviet country? Is it a utopia? Can it work? Will the result differ from other modernist attempts to create a single, true neutral font? Is it a dream? The Gruezi font is our response and reaction.
It’s the typeface of choice for any designer who appreciates the Swiss Style and its legacy. This movement emerged from the schools in Basel and Zürich in the 1950s and aimed to present information objectively. Also known as the International Typographic Style, it is characterized by sans serif type typically set flush-left, in grid-based layouts derived from the content. The RL Gruezi typeface is the contemporary equivalent of the type used by the pioneers in Switzerland and beyond. Whether you want to uphold their modernist approach, reference this aesthetic in more playful or even ironic ways, or simply seek a reliable sans serif, RL Gruezi will not disappoint. With its static construction, it demonstrates that combining the qualities of classic sans-serif craftsmanship with a new contemporaneity can be a sustainable endeavor. Never striving to be trendy, elegant, or fashionable, RL Gruezi aspires to embody characteristics such as technical precision, down-to-earth robustness, reliability, and neutrality—qualities generally associated with Switzerland.
Credits
Mastering: Žofia Kosová
Classification: Monospace
Release: 2024
Supported Languages
Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni
Downloads
Trial Font
PDF Specimen
Other typefaces
Regular Lines TF © 2024
