About Grüezi Grotesk
Available Styles
Grüezi Grotesk is a versatile sans-serif crafted for designers who value both heritage and modernity. Inspired by classic typefaces from the Genzsch & Heyse foundry—like Blockschrift, Botha, and Amerikanische Grotesk—it blends the functional clarity of early European modernism with subtle humanist touches and contemporary polish.
Designed to perform across print, digital, and motion, it features refined geometry, expressive details, and advanced OpenType options—including revived stroke variations lost in early digital type. With broad multilingual support and a confident, adaptable tone, Grüezi Grotesk gives brands a distinctive voice rooted in history, but built for today.
Grüezi Grotesk is a versatile sans-serif crafted for designers who value both heritage and modernity. Inspired by classic typefaces from the Genzsch & Heyse foundry—like Blockschrift, Botha, and Amerikanische Grotesk—it blends the functional clarity of early European modernism with subtle humanist touches and contemporary polish. Designed to perform across print, digital, and motion, it features refined geometry, expressive details, and advanced OpenType options—including revived stroke variations lost in early digital type. With broad multilingual support and a confident, adaptable tone, Grüezi Grotesk gives brands a distinctive voice rooted in history, but built for today.
Swiss ski resorts like Zermatt, St. Moritz, Verbier, and Davos quickly became internationally recognized. St. Moritz even hosted the Winter Olympics twice, in 1928 and 1948, solidifying Switzerland’s reputation as a skiing powerhouse.
Lo skipass non è trasferibile!
The Tyrolean Zugspitze Cable Car (Tiroler Zugspitzbahn) stands as one of the most remarkable Alpine engineering achievements of the 20th century, a testament to vision, persistence, and technological ingenuity. Its origins date back to the early 1920s, when Dr. Hermann Stern, the deputy mayor of Reutte in Tyrol, recognized the untapped potential of the Zugspitze—Germany’s highest peak—as a magnet for tourism and a catalyst for economic growth in the surrounding Austrian region. At the time, the Zugspitze was known mainly to mountaineers and adventurous travelers, but Stern saw an opportunity to make it accessible to a much wider audience. His vision was ambitious: a cable car that would link the valley town of Ehrwald to the summit region in a single, continuous ascent. Construction began in 1924 under the technical direction of Adolf Bleichert & Co. of Leipzig, a pioneering company in aerial ropeway technology. The engineering challenge was enormous. The cable car had to overcome an elevation gain of over 1,700 meters while operating in harsh high-altitude weather conditions, with strong winds and heavy snowfall. Despite these obstacles, the project advanced rapidly, and on 5 July 1926 the Tyrolean Zugspitze Cable Car opened to the public. At the time, it was not only the first cable car in Tyrol to reach such a height, but also the first wire ropeway to carry passengers to the summit of the Zugspitze, establishing itself as a groundbreaking feat in the field of mountain transport.
The Tyrolean Zugspitze Cable Car (Tiroler Zugspitzbahn) stands as one of the most remarkable Alpine engineering achievements of the 20th century, a testament to vision, persistence, and technological ingenuity. Its origins date back to the early 1920s, when Dr. Hermann Stern, the deputy mayor of Reutte in Tyrol, recognized the untapped potential of the Zugspitze—Germany’s highest peak—as a magnet for tourism and a catalyst for economic growth in the surrounding Austrian region. At the time, the Zugspitze was known mainly to mountaineers and adventurous travelers, but Stern saw an opportunity to make it accessible to a much wider audience. His vision was ambitious: a cable car that would link the valley town of Ehrwald to the summit region in a single, continuous ascent. Construction began in 1924 under the technical direction of Adolf Bleichert & Co. of Leipzig, a pioneering company in aerial ropeway technology. The engineering challenge was enormous. The cable car had to overcome an elevation gain of over 1,700 meters while operating in harsh high-altitude weather conditions, with strong winds and heavy snowfall. Despite these obstacles, the project advanced rapidly, and on 5 July 1926 the Tyrolean Zugspitze Cable Car opened to the public. At the time, it was not only the first cable car in Tyrol to reach such a height, but also the first wire ropeway to carry passengers to the summit of the Zugspitze, establishing itself as a groundbreaking feat in the field of mountain transport.
The Tyrolean Zugspitze Cable Car (Tiroler Zugspitzbahn) stands as one of the most remarkable Alpine engineering achievements of the 20th century, a testament to vision, persistence, and technological ingenuity. Its origins date back to the early 1920s, when Dr. Hermann Stern, the deputy mayor of Reutte in Tyrol, recognized the untapped potential of the Zugspitze—Germany’s highest peak—as a magnet for tourism and a catalyst for economic growth in the surrounding Austrian region. At the time, the Zugspitze was known mainly to mountaineers and adventurous travelers, but Stern saw an opportunity to make it accessible to a much wider audience. His vision was ambitious: a cable car that would link the valley town of Ehrwald to the summit region in a single, continuous ascent. Construction began in 1924 under the technical direction of Adolf Bleichert & Co. of Leipzig, a pioneering company in aerial ropeway technology. The engineering challenge was enormous. The cable car had to overcome an elevation gain of over 1,700 meters while operating in harsh high-altitude weather conditions, with strong winds and heavy snowfall. Despite these obstacles, the project advanced rapidly, and on 5 July 1926 the Tyrolean Zugspitze Cable Car opened to the public. At the time, it was not only the first cable car in Tyrol to reach such a height, but also the first wire ropeway to carry passengers to the summit of the Zugspitze, establishing itself as a groundbreaking feat in the field of mountain transport.
After a LONG day on the slopes, nothing beats a steaming plate of KÄSESPÄTZLE, a crispy SCHNITZEL, or a hearty bowl of goulash served at a cozy ALPINE HUT with views of snow-dusted peaks.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
While the Alps reign supreme in ski tourism, Europe’s lesser-known slopes offer equally captivating experiences—often with fewer crowds and lower prices. In the Balkans, resorts like Kopaonik in Serbia and Bansko in Bulgaria combine modern lifts with a vibrant après-ski culture and rustic charm. Jahorina in Bosnia and Herzegovina, once an Olympic venue, offers powdery trails with historical echoes.
Designed with contemporary needs in mind, Gruezi Grotesk offers multiple weights and styles, ensuring flexibility for branding, editorial design, signage, and web typography. Its legibility and neutral tone make it a perfect choice for designers seeking a typeface that blends modern sensibilities with the enduring appeal of mid-century Swiss typography. Whether used in bold headlines or refined body text, Gruezi Grotesk captures the essence of Swiss modernism with a fresh, contemporary twist.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
Info
Gruezi Grotesk is a modern typeface that pays homage to the timeless aesthetics of Swiss modernist typography. Rooted in the legacy of iconic typefaces like Helvetica and Univers, it embodies the clarity, functionality, and precision that define the Swiss design ethos. Characterized by clean, geometric letterforms, Gruezi Grotesk strikes a balance between rigidity and warmth, making it highly versatile for both print and digital applications. Its slightly unconventional details, such as subtle variations in stroke weight and distinctive character proportions, set it apart from its predecessors while maintaining a strong connection to the Swiss typographic tradition.
Credits
Mastering: Matej Vojtuš, Žofia Kosová
Classification: Grotesk
Release: 2026
Supported Languages
Acheron, Achinese, Acholi, Achuar, Shiwiar, Afar, Afrikaans, Aguaruna, Alekano, Alonquin, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Aragonese, Arbëreshë Albanian, Asháninka, Ashéninka Perené, Balinese, Banjar, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana, Arsi, Guji Oromo, Bosnian, Breton, Buginese, Candoshi, Shapra, Caquinte, Caribbean Hindustani, Cashibo, Cacataibo, Cashinahua, Catalan, Cebuano, Central Aymara, Central Kurdish, Central Nahuatl, Chachi, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dimli, Dutch, Eastern Arrernte, Eastern Oromo, English, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Hopi, Huastec, Hungarian, Hän, Icelandic, Ido, Iloko, Inari Sami, Indonesian, Interglossa, Interlingua, Interlingue, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola, Fonyi, K'iche', Kabuverdianu, Kaingang, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kirmanjki, Kituba (DRC), Klingon, Kongo, Konzo, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Lithuanian, Lojban, Lombard, Low German, Lower Sorbian, Luba, Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo, Romanian, Makonde, Malagasy, Malaysian, Maltese, Mandinka, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Murrinh, Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Novial, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Old Prussian, Orma, Oroqen, Palauan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi, Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scots, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shawnee, Shipibo, Conibo, Shona, Shuar, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swedish, Swiss German, Tagalog, Tahitian, Tedim Chin, Tetum, Tetun Dili, Toba, Tojolabal, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tumbuka, Turkish, Turkmen, Tuvalu, Tzeltal, Tzotzil, Uab Meto, Umbundu, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Volapük, Võro, Walloon, Walser, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yucateco, Zapotec, Zulu, Záparo
Downloads
Trial Fonts
PDF Specimen
Other typefaces
About Grüezi Grotesk
Available Styles
Grüezi Grotesk is a versatile sans-serif crafted for designers who value both heritage and modernity. Inspired by classic typefaces from the Genzsch & Heyse foundry—like Blockschrift, Botha, and Amerikanische Grotesk—it blends the functional clarity of early European modernism with subtle humanist touches and contemporary polish.
Designed to perform across print, digital, and motion, it features refined geometry, expressive details, and advanced OpenType options—including revived stroke variations lost in early digital type. With broad multilingual support and a confident, adaptable tone, Grüezi Grotesk gives brands a distinctive voice rooted in history, but built for today.
Grüezi Grotesk is a versatile sans-serif crafted for designers who value both heritage and modernity. Inspired by classic typefaces from the Genzsch & Heyse foundry—like Blockschrift, Botha, and Amerikanische Grotesk—it blends the functional clarity of early European modernism with subtle humanist touches and contemporary polish. Designed to perform across print, digital, and motion, it features refined geometry, expressive details, and advanced OpenType options—including revived stroke variations lost in early digital type. With broad multilingual support and a confident, adaptable tone, Grüezi Grotesk gives brands a distinctive voice rooted in history, but built for today.
Swiss ski resorts like Zermatt, St. Moritz, Verbier, and Davos quickly became internationally recognized. St. Moritz even hosted the Winter Olympics twice, in 1928 and 1948, solidifying Switzerland’s reputation as a skiing powerhouse.
Lo skipass non è trasferibile!
The Tyrolean Zugspitze Cable Car (Tiroler Zugspitzbahn) stands as one of the most remarkable Alpine engineering achievements of the 20th century, a testament to vision, persistence, and technological ingenuity. Its origins date back to the early 1920s, when Dr. Hermann Stern, the deputy mayor of Reutte in Tyrol, recognized the untapped potential of the Zugspitze—Germany’s highest peak—as a magnet for tourism and a catalyst for economic growth in the surrounding Austrian region. At the time, the Zugspitze was known mainly to mountaineers and adventurous travelers, but Stern saw an opportunity to make it accessible to a much wider audience. His vision was ambitious: a cable car that would link the valley town of Ehrwald to the summit region in a single, continuous ascent. Construction began in 1924 under the technical direction of Adolf Bleichert & Co. of Leipzig, a pioneering company in aerial ropeway technology. The engineering challenge was enormous. The cable car had to overcome an elevation gain of over 1,700 meters while operating in harsh high-altitude weather conditions, with strong winds and heavy snowfall. Despite these obstacles, the project advanced rapidly, and on 5 July 1926 the Tyrolean Zugspitze Cable Car opened to the public. At the time, it was not only the first cable car in Tyrol to reach such a height, but also the first wire ropeway to carry passengers to the summit of the Zugspitze, establishing itself as a groundbreaking feat in the field of mountain transport.
The Tyrolean Zugspitze Cable Car (Tiroler Zugspitzbahn) stands as one of the most remarkable Alpine engineering achievements of the 20th century, a testament to vision, persistence, and technological ingenuity. Its origins date back to the early 1920s, when Dr. Hermann Stern, the deputy mayor of Reutte in Tyrol, recognized the untapped potential of the Zugspitze—Germany’s highest peak—as a magnet for tourism and a catalyst for economic growth in the surrounding Austrian region. At the time, the Zugspitze was known mainly to mountaineers and adventurous travelers, but Stern saw an opportunity to make it accessible to a much wider audience. His vision was ambitious: a cable car that would link the valley town of Ehrwald to the summit region in a single, continuous ascent. Construction began in 1924 under the technical direction of Adolf Bleichert & Co. of Leipzig, a pioneering company in aerial ropeway technology. The engineering challenge was enormous. The cable car had to overcome an elevation gain of over 1,700 meters while operating in harsh high-altitude weather conditions, with strong winds and heavy snowfall. Despite these obstacles, the project advanced rapidly, and on 5 July 1926 the Tyrolean Zugspitze Cable Car opened to the public. At the time, it was not only the first cable car in Tyrol to reach such a height, but also the first wire ropeway to carry passengers to the summit of the Zugspitze, establishing itself as a groundbreaking feat in the field of mountain transport.
The Tyrolean Zugspitze Cable Car (Tiroler Zugspitzbahn) stands as one of the most remarkable Alpine engineering achievements of the 20th century, a testament to vision, persistence, and technological ingenuity. Its origins date back to the early 1920s, when Dr. Hermann Stern, the deputy mayor of Reutte in Tyrol, recognized the untapped potential of the Zugspitze—Germany’s highest peak—as a magnet for tourism and a catalyst for economic growth in the surrounding Austrian region. At the time, the Zugspitze was known mainly to mountaineers and adventurous travelers, but Stern saw an opportunity to make it accessible to a much wider audience. His vision was ambitious: a cable car that would link the valley town of Ehrwald to the summit region in a single, continuous ascent. Construction began in 1924 under the technical direction of Adolf Bleichert & Co. of Leipzig, a pioneering company in aerial ropeway technology. The engineering challenge was enormous. The cable car had to overcome an elevation gain of over 1,700 meters while operating in harsh high-altitude weather conditions, with strong winds and heavy snowfall. Despite these obstacles, the project advanced rapidly, and on 5 July 1926 the Tyrolean Zugspitze Cable Car opened to the public. At the time, it was not only the first cable car in Tyrol to reach such a height, but also the first wire ropeway to carry passengers to the summit of the Zugspitze, establishing itself as a groundbreaking feat in the field of mountain transport.
After a LONG day on the slopes, nothing beats a steaming plate of KÄSESPÄTZLE, a crispy SCHNITZEL, or a hearty bowl of goulash served at a cozy ALPINE HUT with views of snow-dusted peaks.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
While the Alps reign supreme in ski tourism, Europe’s lesser-known slopes offer equally captivating experiences—often with fewer crowds and lower prices. In the Balkans, resorts like Kopaonik in Serbia and Bansko in Bulgaria combine modern lifts with a vibrant après-ski culture and rustic charm. Jahorina in Bosnia and Herzegovina, once an Olympic venue, offers powdery trails with historical echoes.
Designed with contemporary needs in mind, Gruezi Grotesk offers multiple weights and styles, ensuring flexibility for branding, editorial design, signage, and web typography. Its legibility and neutral tone make it a perfect choice for designers seeking a typeface that blends modern sensibilities with the enduring appeal of mid-century Swiss typography. Whether used in bold headlines or refined body text, Gruezi Grotesk captures the essence of Swiss modernism with a fresh, contemporary twist.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
Whether it’s a bubbling pot of fondue, where chunks of bread are dipped into rich, melted Gruyère and Emmental, or a plate of raclette, with gooey cheese scraped onto potatoes and pickles, Swiss cuisine is the ultimate way to warm up. The combination of skiing and cheese melting is more than just a pastime—it’s a cherished tradition, bringing people together to share stories of the day’s adventures by a cozy fire. In Switzerland, winter is not just about the sport—it’s about the experience. The seamless blend of thrilling descents and comforting flavors makes every visit to the Alps a magical escape.
Info
Gruezi Grotesk is a modern typeface that pays homage to the timeless aesthetics of Swiss modernist typography. Rooted in the legacy of iconic typefaces like Helvetica and Univers, it embodies the clarity, functionality, and precision that define the Swiss design ethos. Characterized by clean, geometric letterforms, Gruezi Grotesk strikes a balance between rigidity and warmth, making it highly versatile for both print and digital applications. Its slightly unconventional details, such as subtle variations in stroke weight and distinctive character proportions, set it apart from its predecessors while maintaining a strong connection to the Swiss typographic tradition.
Credits
Mastering: Matej Vojtuš, Žofia Kosová
Classification: Grotesk
Release: 2026
Supported Languages
Acheron, Achinese, Acholi, Achuar, Shiwiar, Afar, Afrikaans, Aguaruna, Alekano, Alonquin, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Aragonese, Arbëreshë Albanian, Asháninka, Ashéninka Perené, Balinese, Banjar, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana, Arsi, Guji Oromo, Bosnian, Breton, Buginese, Candoshi, Shapra, Caquinte, Caribbean Hindustani, Cashibo, Cacataibo, Cashinahua, Catalan, Cebuano, Central Aymara, Central Kurdish, Central Nahuatl, Chachi, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dimli, Dutch, Eastern Arrernte, Eastern Oromo, English, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Hopi, Huastec, Hungarian, Hän, Icelandic, Ido, Iloko, Inari Sami, Indonesian, Interglossa, Interlingua, Interlingue, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola, Fonyi, K'iche', Kabuverdianu, Kaingang, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kirmanjki, Kituba (DRC), Klingon, Kongo, Konzo, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Lithuanian, Lojban, Lombard, Low German, Lower Sorbian, Luba, Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo, Romanian, Makonde, Malagasy, Malaysian, Maltese, Mandinka, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Murrinh, Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Novial, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Old Prussian, Orma, Oroqen, Palauan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi, Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scots, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shawnee, Shipibo, Conibo, Shona, Shuar, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swedish, Swiss German, Tagalog, Tahitian, Tedim Chin, Tetum, Tetun Dili, Toba, Tojolabal, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tumbuka, Turkish, Turkmen, Tuvalu, Tzeltal, Tzotzil, Uab Meto, Umbundu, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Volapük, Võro, Walloon, Walser, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yucateco, Zapotec, Zulu, Záparo
Downloads
Trial Fonts
PDF Specimen
Other typefaces
Regular Lines TF © 2024
